Yet Borges is almost an equally great talent on his own – with a soaring, soulful approach that's every bit as great as the best Nascimento material from the period – and recorded in a wonderfully similar spirit! The sound here is completely sublime right from the start – music that moves us, even if we can't understand the language of the lyrics – like some of the best work by Caetano Veloso and Gilberto Gil. CDĪn incredible album from Lo Borges – one of the best singer/ songwriters on the Brazilian scene of the 70s! Borges first burst into the spotlight for his work on the Club Da Esquina album by Milton Nascimento – and his work as part of Milton's "corner club" really helped shape the style of the more famous singer. The set's strongly in that best tradition of less-is-more that marks the best recent work from both Veloso family members – and titles include "Meu Coco", "Ciclamen Do Libano", "Anjos Tronchos", "Enzo Gabriel", "Voce Voce", "Sem Samba Nao Da", "Cobre", and "GilGal". A really tremendous album from Caetano Veloso – one of the few artists from the 60s who just seems to continue to get better and better with age! And by that, we don't mean that this is an "aged" record – we mean that Veloso sounds as freshly creative as ever – unveiling a completely new sound, while still keeping true to his musical vision of recent decades – a stunning achievement that few other global artists could ever hope to match! The sound is sublime right from the very first note – a strong focus on Caetano's ability to craft a line with simple poetry, set to backings that are often relatively spare, but full of these interesting little touches – done in collaboration with musical partner Lucas Nunes, and featuring a fair bit of contributions from Moreno Veloso too.
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